We're getting geared up for another great event this Sept. 27.
If you, or someone you know, is a traditional artisan eager to take part in this event get in touch with us.
Is there something you would like to see at the festival? Let us know and we will try and make it happen!
Did you have a great time last year? Share your memories and photos.
Contact jsh@regionofwaterloo.ca or call 519-742-7752
Follow us @jschneiderhaus or @hearthandfest
Showing posts with label Artisans. Show all posts
Showing posts with label Artisans. Show all posts
Wednesday, 9 July 2014
Saturday, 21 September 2013
Heart & Hand: Rain or Shine!
When was the last time you played in the rain? ...and then dried off by an open hearth or a wood stove? Today is your chance! The Heart & Hand Festival starts today at 10 a.m. lots to do and see, inside and out! Find that perfect treasure and see traditional artisans at work!
Our assistant curator Antoinette is ready for the weather. Lets see your rain gear fashion! Tweet us @hearthandfest!
Friday, 21 September 2012
Heart & Hand: The Big Day! Event Schedule
Tomorrow is the big day! Keep your fingers crossed for sunshine - but we've got the tents set up and lots of cover so it is bound to be a great day rain or shine! Over 27 artisans will be on site demonstrating their traditional arts, including a blacksmith, coppersmith, woodcarvers, tool maker, tinsmith, paper marbling and more!
Entertainment Tent
Host Mary-Eileen McClear of Baden at the mic.
Nii Addico
11 a.m. - 12 Noon - Baden Storytellers
Carolyn Wilker
Mary McCullum Baldasaro
Beverly Matson
Gwen McCutcheon
12 Noon - 12:30 p.m. - Musicians
Jakki Annerino & Wayne Cheater
12:35 - 1:30 p.m. - Baden Storytellers
Sarah Granskou
Judy Caulfield
Brenda Byers
1:30 - 2 p.m. - Musicians
Jakki Annerino & Wayne Cheater
2 - 3 p.m. - Baden Storytellers
Diane Halpin
Derek Brisland
Mary-Eileen McClear
3 - 4 p.m. - Drum Circle
Nii Addico
On the Grounds
Town Crier - Scott Fraser
Organ-Grinder - Alex Fausto from 1 p.m.
Tuesday, 26 June 2012
Heart & Hand: Hand Stamp Heart Logo
Wondering how we came up with the Heart & Hand Festival logo here at Joseph Schneider Haus? Check out this video and maybe make your own hands stamp heart art!
Saturday, 24 September 2011
Heart & Hand: Today is the Day!
It is a beautiful morning at the Joseph Schneider Haus for the Heart & Hand Festival 2011.
We look forward to seeing you! Here is a sneak peak...
The Wash House is ready for visitors to come and sample the home made soup prepared by Culinary Historian, Liz Driver.
There is a craft tent for the kids, storytelling and many treasures to bring home with you. Get that Christmas shopping done early!
Heart & Hand Festival 2011, Joseph Schneider Haus, 466 Queen St. S., Kitchener.
519 742 7752
We look forward to seeing you! Here is a sneak peak...
| Fred the Blacksmith has arrived with his tools |
| The tents are set up and artisans are arriving. |
| The Wash House table awaits you! |
There is a craft tent for the kids, storytelling and many treasures to bring home with you. Get that Christmas shopping done early!
Heart & Hand Festival 2011, Joseph Schneider Haus, 466 Queen St. S., Kitchener.
519 742 7752
Thursday, 22 September 2011
Heart &Hand: Al Forler - Decorative Wildfowl Carver
Al Forler is a decorative wildfowl carver and an award winning one at that! He has brought home ribbons form many competitions including the Canadian National Wildfowl Carving Competition. Al was the Folk Artist-in-Residence at Joseph Schneider Haus in 2004 and he sits down with us today to tell us about is art, how it's done and its origins
Don't forget to say hello to Al and his feathered friends at the Heart & Hand Festival, Saturday, Sept. 24th at Joseph Schneider Haus, 466 Queen St. S. Kitchener.
Don't forget to say hello to Al and his feathered friends at the Heart & Hand Festival, Saturday, Sept. 24th at Joseph Schneider Haus, 466 Queen St. S. Kitchener.
Sunday, 18 September 2011
Heart & Hand: Once Upon A Tree, Wood Turning with Trevor Ewert
Trees have many stories to tell and things to be made into! Today we have another instalment in our series on wood carving. Trevor Ewert explains the process of wood turning and how he helps trees tell their story.
2. How do you decide what piece of wood to use and how to begin your work?
1. What is the significance of the name of your shop, "Once Upon a Tree"?
The name "Once Upon A Tree" captures the essence of what I try to do in my woodworking; to create a piece that carries on the story of the materials from which it was made. Many of my bowls and vessels feature a "live" or natural edge with the bark of the tree intact. This combined with a highly polished and refined surface tell the story of the transformation from tree to art work.
I try to seek out the most interesting specimens to turn and these tend most often to be burls (tumorous growths on the trunk of the tree). Inside of a burl the wood can have the most interesting colours and patterns and the grain will show curl and birdseye - quite unlike the rest of the tree on which it grew.
3. How long does it take to create a piece from start to finish?
I tend to start turning when the wood is freshly cut and the moisture content is high. Sometimes there is a spray of water coming off of the lathe while the wood is spinning! After a rough shape is achieved, I air dry the bowl for six months or more until it is stable enough to finish. There is a lot of chisel work at this point to refine the shape and then hours of ponderous sanding to perfect the surface. The bowl is then oiled and buffed until a highly polished surface is achieved.
4. What's next? Any big plans in the works?
Craft sale season is now starting and I have quite a few that I am doing this year: the Central Art Walk in Kitchener, Artworks at Bingeman's, Cranberry Market in Guelph, Plaid Tidings in Toronto, and the Christkindl Market in Kitchener are a few that I will be exhibiting at.
Saturday, 17 September 2011
Heart & Hand: What is Wood Engraving, Wesley Bates?
There are many different types of wood carving. In the last blog post we learned all about chip carving with Peter Findlay. Today we ask Wesley Bates, renowned wood engraver, to tell us all about his art form, its applications, and how he got his start as a wood engraver.
1. How did you start with wood engraving?
I was given my first set of engraving tools as a Christmas present in 1980 or so. Before that I had no idea what wood engraving was. I lived in Hamilton at the time and went to McMaster University Library and looked Wood Engraving up. I found a shelf of books related to the topic and through trial and error and comparison with examples in those books managed to get a feel for the medium. I was very interested in the British engravers, Joan Hassall, Gwen Raverat, and the German/American engraver Fritz Eichenberg in my early days.
I was given my first set of engraving tools as a Christmas present in 1980 or so. Before that I had no idea what wood engraving was. I lived in Hamilton at the time and went to McMaster University Library and looked Wood Engraving up. I found a shelf of books related to the topic and through trial and error and comparison with examples in those books managed to get a feel for the medium. I was very interested in the British engravers, Joan Hassall, Gwen Raverat, and the German/American engraver Fritz Eichenberg in my early days.
| Engraving table: engraved block, engraving tools and proofs |
2. What is involved in creating a wood engraving? Can you explain your process for us a little bit?
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| Roots To Earth - "The Buildings" by Wesley Bates |
Wood Engraving is a relief printing medium related to lino cut and wood cut. Wood Engraving is done on the end grain surface of the wood unlike wood cut which is done on the side grain. When a line is engraved a ribbon of wood is removed thereby lowering that line from the original surface of the end grain block. After all the engraved lines are completed then ink is applied to the "relief" surface of the block (the part of the block not engraved) and then paper is press against the ink/engraved block and the result is a print.
3. What has been your most exciting project to work on?
In 1997 I engraved eight images to accompany eight poems by the American writer Wendell Berry. I published the poems and engravings in a portfolio entitled ROOTS TO THE EARTH under my own imprint, West Meadow Press, with the generous help of Will Rueter of Aliquando Press. That project was my introduction to Wendell Berry himself and to Gray Zeitz at Larkspur Press in Monterey Kentucky. It has turned into a 15 year relationship during which time I have worked with Gray and Wendell on five books and several broadsides.
4. What's next?
At present I am working on a wordless graphic novel. It is a very large project and is already three years in the preparations. In addition to that I have several commissioned engraving projects that I am working on.
Visit Welsey's website and Facebook page for more info and pictures. Don't forget to say hello on Saturday, Sept. 24 at the Heart and Hand Festival at Joseph Schneider Haus!
Visit Welsey's website and Facebook page for more info and pictures. Don't forget to say hello on Saturday, Sept. 24 at the Heart and Hand Festival at Joseph Schneider Haus!
Friday, 16 September 2011
Heart & Hand: Chip Carving with Peter Findlay
Chip carving, or Kerbschnitt in German, is a style of wood carving that uses knives and chisels to remove small chips in a single piece, to create geometrical designs.
Chip carver, Peter Findlay, joins us on the Joseph Schneider Haus porch to demonstrate and explain his technique and art.
Don't forget to say hello to Peter at the Heart & Hand Festival, Saturday, Sept. 24 at Joseph Schneider Haus, 466 Queen St. S., Kitchener
Tuesday, 13 September 2011
Heart & Hand: Book Binding with Marlene Pomeroy
Marlene Pomeroy is the Joseph Schneider Haus Folk Artist-in-Residence for 2011. We ask here afew questions about book binding and its importance today.
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| You can judge this book by it's cover! |
1. What inspired you to begin building books?
I took a binding class that ignited my passion for books. I was a calligrapher with many years of visual arts behind me. The "book" is a way to incorporate all the arts into a wonderful, enduring housing.
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| Marlene's take on the "E" book |
2. Is the art of bookbinding still important or should we just use e-readers and read our books online?
The art of bookbinding is even more important now than ever. People need a place to slow down and depart from their work a day mode of technology. There is no replacement for the tactile feel of the paper and leather between your fingers. The books covers appeal to our eyes and invite us to escape into a different world.
3. What is next? Any big projects in the works?
There are many planned projects ahead. A collaborative work of limited editions is in the planning stages and commissions are always waiting to be finished. I am also working on a new teaching space to be ready late fall.
Marlene's The Book from Flax to Finish workshop is running Sept. 24 & 25 so drop in, ask questions and get inspired. Call 519-742-7752 to register. Visit Marlene's blog Inspired discovery
Saturday, 10 September 2011
Heart & Hand: In the Studio with Potter, Jan Bentley
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| Polar Bear |
Potters have been shaping clay into decorative objects and vessels for thousands of years. The earliest decorative figures, found in what is now the Czech Republic, date from c. 25, 000 BCE!
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| Santa |
Potter, Jan Bentley, invites us into the Polar Pottery Studio and demonstrates how she creates her beautiful bird figures and decorative Santas out of clay.
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| Crow |
Thursday, 8 September 2011
Heart & Hand: This Flyer is Really a Box!
The Heart and Hand Festival Flyer is really a paper box!
Pick up your flyer today at Joseph Schneider Haus, 466 Queen St. S, Kitchener.
Watch the video and follow the instructions to make your own paper box.
Pick up your flyer today at Joseph Schneider Haus, 466 Queen St. S, Kitchener.
Watch the video and follow the instructions to make your own paper box.
Tuesday, 30 August 2011
Heart & Hand: In the Studio with Mosaic Artist Sophie Drouin
Mosaic art dates back to the 4th century B.C. Artists use small pieces of marble, glass and stone to create images on floors and walls. Today artists are able to make portable pieces of mosaic art allowing them to exhibit their work in galleries.
Join us as we visit with modern day mosaic artist Sophie Drouin in her Kitchener studio. She shows us how to break up marble and tells us why she loves being a mosaic artist.
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| Sophie Drouin Mosaic Artist |
Visit Sophie's website www.sophiemosaics.com
Join Sophie at the Heart and Hand Festival Sept. 24, 2011 at Joseph Schneider Haus!
Friday, 26 August 2011
Heart & Hand: Beading and Beadwork with Marilyn Gardiner
Marilyn Gardiner, former Joseph Schneider Haus artist in residence, creates original works and borrows from traditional beading and jewellery patterns.
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Beads adorn ceremonial items. . |
Beading and beadwork is found in the traditions of many cultures around the world. Beads are used to create jewellery and to adorn clothing and ceremonial items.
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Beaded purses. |
Marilyn Gardiner, former Joseph Schneider Haus artist in residence, creates original works and borrows from traditional beading and jewellery patterns.
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A display of Marilyn’s original works and beaded artifacts at the JSH gallery. |
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| Art Deco inspired necklace. |
Here is one of Marilyn's original necklace designs; it borrows from the designs of the Art Deco period.
This copper necklace created in the Persian GSG pattern is also one of Marilyn’s creations, and one you can learn to do yourself.
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| Persian GSG pattern. |
This copper necklace created in the Persian GSG pattern is also one of Marilyn’s creations, and one you can learn to do yourself.
Interested in creating your own jewellery? Want to learn more about Marilyn Gardiner Design? Visit www.marilyngardiner.com. You can order kits, books or sign up for a class.
Follow Marilyn on Twitter www.twitter.com/#!/gardinerdesign or visit her Facebook page www.facebook.com/gardinerdesign .
And don't forget to visit her at the Heart and Hand Festival Sept., 24 2011!
Monday, 22 August 2011
Heart and Hand: Hand Stamp Heart
The Heart and Hand logo you see at the top of this page was made using hands and paint. Try it at home!
1. Find a piece of paper. You could use a t-shirt or a big leaf if you like. You just need a flat surface to make your print on.
2. Put some paint on a paper plate. Use red like we did, or choose your favourite colour. Spread it around so it covers the bottom of the plate.
3. Make two fists and dip the side of your palms in the paint.
4. Bring your fists together so your thumbs are facing up and your fingers are touching.
5. Press your hands down on your paper, T-shirt, leaf, etc.
6. Lift your hands to reveal your own unique Heart and Hand print. Make more hearts and use it as wrapping paper, give it to a friend or hang it on the fridge as a one-of-a-kind piece of art.
Watch the video!
1. Find a piece of paper. You could use a t-shirt or a big leaf if you like. You just need a flat surface to make your print on.
2. Put some paint on a paper plate. Use red like we did, or choose your favourite colour. Spread it around so it covers the bottom of the plate.
3. Make two fists and dip the side of your palms in the paint.
4. Bring your fists together so your thumbs are facing up and your fingers are touching.
5. Press your hands down on your paper, T-shirt, leaf, etc.
6. Lift your hands to reveal your own unique Heart and Hand print. Make more hearts and use it as wrapping paper, give it to a friend or hang it on the fridge as a one-of-a-kind piece of art.
Watch the video!
Thursday, 18 August 2011
Heart & Hand: Roll up your sleeves!

Cast your vote, along with our team of judges, for the ‘Best in Show’ artist display and demonstration.
Roll up your sleeves and join in the hands on activities.
Come enjoy storytelling by the Baden Storytellers Guild and visit the historic house.
Our new washhouse will be open to visitors for the first time!
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